Wednesday, 26 October 2011
The Weight of Trolls?
We got into a discussion yesterday because of the success that the film has had in Melbourne (where it was in the top ten audience choices of the festival), Raindance (where one reviewer made it her 2nd best film of the festival) and Solihull, which gave it 89% approval rating - yet on the Internet Movie Database (IMDB), the movie scores 6/10.
When you take a closer look at the stats, you see that it is some two young men and a weird weighting system that can twist and distort these figures, but when so much business gets done on the wisdom of the crowds (especially when funding new projects), it is a really frustrating representation that seems to discount all the positives. Don't get me wrong - I'm sure loads of the people who gave it 10 were connected to the project and were bias, and it is good to avoid vote stuffing. But to have an arithmetic mean of 8.5 and a weighted average of 6 is quite sizable! Take a look at the stats and come to your own conclusions....
Solihull has spoken...
Solihull Film Society gave Des & Mo an average of 6.2 out of 7, which is 89%! They haven't updated the website yet but this puts us up there with the best of the year in joint 3rd place!!!
Thank you Solihull! x
Saturday, 22 October 2011
That went well...
Two screenings of two different films in two days, in two different countries to two very different audiences. One universal response though - positive and bright about 'Des & Mo' and 'I've Got This Idea For A Film'. I'm really happy but so tired. I'm hopefully going to find time this week to do some editing on some other projects, but can't wait to set up some more screenings to keep the momentum going! I'll keep in touch when I have more news!
James
Tuesday, 18 October 2011
Rome?
Des & Mo was seen at Galway by Susanna from the IrishFilmFesta in Rome and she contacted me today to sort finer details. I'm not sure if I'm allowed to say this but it's being screened on Saturday 3rd December! Shh.... we like an exclusive! I'm really bloody excited to be honest, just to see 'incazzato britannica' in the subtitles when they say 'pissed Brits'. I'm thinking of getting a tee shirt made...
Monday, 17 October 2011
Hit me again!
The 72 project got over 450 unique hits over the weekend, which I believe demonstrates how our films and experience upon the project still have an impact. Please continue to share the website with your friends as the word of mouth is becoming increasingly valuable in this noisy planet!
The website will continue to grow with more information and details. It isn't a graveyard, it's an encyclopaedia. If you want something added, let us know and we'll add it! You can find us online at www.facebook.com/the72project also. In case that is more of your thang.
James x
Sunday, 16 October 2011
Screenings!
Two different films, two dates, two cities. It's a busy weekend next weekend!
"I've Got This Idea For A Film" - fresh from it's world premiere at Raindance, this documentary will screen at Filmbase, Curved Street, Temple Bar, Dublin at 7pm on Friday 21st October. Drinks are at 6pm. Get hold of James if you want to go...
"The Ballad of Des & Mo" - still pleasing the audiences that have taken the effort to go see it. One reviewer described how:
The film is screened at the Solihull Film Society, Solihull Arts Complex, Homer Road, Solihull, (B91 3RG) at 6.30pm on Saturday 22nd October. The challenge is to score the best movie of the year in their notorious marking system! For tickets, contact the Box office 0121 704 6962"Among the many stand-out moments is the scene which led me to cheer and clap in a cinema for the first time ever during a film. A brilliant moment which alone made the film worth seeing. But it wasn’t the only one, the film was full of superb moments"
James is presenting at both events.
Friday, 14 October 2011
What's going on?!
Last week I was ejected from the 72hourmovie Facebook page and blocked from viewing it by the other admins. Naturally I'm gutted because I feel as if I played a big part in developing the group in the first place, and to be ejected is petulant.
A disagreement has arisen between the team over the documentary for the 72 project, "I've Got This Idea For A Film". This disagreement led to the film being pulled from the Galway Film Fleadh in July 2011 despite being selected in the programme. This was a huge disappointment, especially as we were so desperate to get films into festivals 3 years earlier that we were willing to make them in three days!
As far as I'm aware, the disagreement surrounds the fact that James Arneman and Katie Mitchell's documentary doesn't include all of the crew in Melbourne and therefore isn't a fair representation of the 72 process. The documentary isn't by any means negative of the process or by any means derogatory towards what was achieved in Melbourne. Personally I believe it shows us under an incredible amount of stress and emotional pressure and I think it is a fairly objective view of the production, but everyone is welcome to their own opinion.
It is because everyone is welcome to their own opinion that I cannot stand the decision to eject me from the Facebook group and delete evidence of the documentary. For a project which prided itself on transparency it is a shameful low to censor the project in any way. Besides, I continue to promote the films in festivals, including last week in Raindance, and ejecting me is simply denying all those who worked on the project to hear about the project's progress.
I've decided to distance myself from this latest debacle by establishing a website that collates many details about the 72 in one accessible place, and where all details about the project will continue to promoted. It's at www.the72project.org
Hopefully see you there...
James
A disagreement has arisen between the team over the documentary for the 72 project, "I've Got This Idea For A Film". This disagreement led to the film being pulled from the Galway Film Fleadh in July 2011 despite being selected in the programme. This was a huge disappointment, especially as we were so desperate to get films into festivals 3 years earlier that we were willing to make them in three days!
As far as I'm aware, the disagreement surrounds the fact that James Arneman and Katie Mitchell's documentary doesn't include all of the crew in Melbourne and therefore isn't a fair representation of the 72 process. The documentary isn't by any means negative of the process or by any means derogatory towards what was achieved in Melbourne. Personally I believe it shows us under an incredible amount of stress and emotional pressure and I think it is a fairly objective view of the production, but everyone is welcome to their own opinion.
It is because everyone is welcome to their own opinion that I cannot stand the decision to eject me from the Facebook group and delete evidence of the documentary. For a project which prided itself on transparency it is a shameful low to censor the project in any way. Besides, I continue to promote the films in festivals, including last week in Raindance, and ejecting me is simply denying all those who worked on the project to hear about the project's progress.
I've decided to distance myself from this latest debacle by establishing a website that collates many details about the 72 in one accessible place, and where all details about the project will continue to promoted. It's at www.the72project.org
Hopefully see you there...
James
Friday, 7 October 2011
Curious & spurious
Hmm... I no longer seem to be an admin on the 72hourmovie Facebook page and all evidence of the 'I've Got This Idea For A Film' documentary about the 72 hour project has been deleted. If you find this curious and would like to know why such strange things may happen, why don't you come along to the documentary's premiere at Raindance on Saturday 8th October at 1230 in the Piccadilly Apollo Theatre in London. It's followed by a screening of 'The Ballad of Des & Mo'. The films are followed by a Q&A with myself and the post-production supremo Mike Fisher.
Tschuss,
James x
Tschuss,
James x
Thursday, 10 March 2011
Sunday, 20 February 2011
Thoughts on Berlinale. Thoughts on Libya
I have just returned home from 12 days in Berlin and I am exhausted. After screening the film at the Kino Sputnik I immediately spent the last week at a conference exploring ‘Art as Cultural Diplomacy’, something that the 72 Hour Movie unwittingly fulfilled by arriving in Australia via the Irish Embassy and using an international crew. I am now planning to describe myself as a cultural diplomat instead of a filmmaker in the hope I can have more money, immunity and WikiLeaks as a promoter.
In all seriousness, whilst we were all taking on the challenge in Melbourne, we were actually engaging with new people from different places and exchanging ideas about our beliefs. We asked everyone to think differently about the process of filmmaking and what we could achieve collectively. I would argue this is actually cultural engagement as opposed to political diplomacy, but seeing as the Irish Embassy proudly hosted us (the Irish Film Board weren’t so proud), we can take pride in our new political status.
Why am I mentioning this? Well, I believe that the greatest asset about the digital ‘revolution’ and the ‘democratization’ of media is NOT that every wannabe can imitate Hollywood with a Canon 7D DSLR. The greatest thing is that these tools can spread new ideas – helping us connect and communicate with one another in ways that were never previously allowed or feasible with traditional media. We can work differently, we can tell different stories and see different perspectives.
I am simultaneously excited and scared about what I currently read about Libya. I am excited that people have the courage to rise up, but I am scared for my friends there. I made a film in Libya in 2007 with small consumer MiniDV handicams. It was a film that could never have been made if I had waited around for traditional funding streams to stump up cash and then stamp their own ideology on top of it. The film is quite simply how I subjectively saw things whilst I was there. It is not my favourite film; in fact it is probably my worst. It is at times miserable and self-indulgent and I apologise for that. I cringe at some of it and I’m proud of other bits. Filmmaking is a learning curve and I have always learnt more from my mistakes than I have my successes.
I want to selectively share the film now on the basis that deeper understanding is necessary in these difficult times and that traditional media will always have their own agendas; Libya is a political hot potato. This film is about cultural engagement and I hope that it offers a new perspective that isn’t perhaps reflected currently in the media. The film has recently been unavailable for viewing as I am currently in the process of re-cutting a documentary about the Sahara in general, but I am sharing it now, for two weeks, in light of the recent news. I have password protected the film for the sake and safety of the people in it, but will share it with you if you write to james (at) hellocamera (dot) ie
James
In all seriousness, whilst we were all taking on the challenge in Melbourne, we were actually engaging with new people from different places and exchanging ideas about our beliefs. We asked everyone to think differently about the process of filmmaking and what we could achieve collectively. I would argue this is actually cultural engagement as opposed to political diplomacy, but seeing as the Irish Embassy proudly hosted us (the Irish Film Board weren’t so proud), we can take pride in our new political status.
Why am I mentioning this? Well, I believe that the greatest asset about the digital ‘revolution’ and the ‘democratization’ of media is NOT that every wannabe can imitate Hollywood with a Canon 7D DSLR. The greatest thing is that these tools can spread new ideas – helping us connect and communicate with one another in ways that were never previously allowed or feasible with traditional media. We can work differently, we can tell different stories and see different perspectives.
I am simultaneously excited and scared about what I currently read about Libya. I am excited that people have the courage to rise up, but I am scared for my friends there. I made a film in Libya in 2007 with small consumer MiniDV handicams. It was a film that could never have been made if I had waited around for traditional funding streams to stump up cash and then stamp their own ideology on top of it. The film is quite simply how I subjectively saw things whilst I was there. It is not my favourite film; in fact it is probably my worst. It is at times miserable and self-indulgent and I apologise for that. I cringe at some of it and I’m proud of other bits. Filmmaking is a learning curve and I have always learnt more from my mistakes than I have my successes.
I want to selectively share the film now on the basis that deeper understanding is necessary in these difficult times and that traditional media will always have their own agendas; Libya is a political hot potato. This film is about cultural engagement and I hope that it offers a new perspective that isn’t perhaps reflected currently in the media. The film has recently been unavailable for viewing as I am currently in the process of re-cutting a documentary about the Sahara in general, but I am sharing it now, for two weeks, in light of the recent news. I have password protected the film for the sake and safety of the people in it, but will share it with you if you write to james (at) hellocamera (dot) ie
James
Tuesday, 25 January 2011
The plan...
Oh! How the months fly by! One moment there is silence and then I am spewing over the cybernetic walls again. Apologies for the prolonged silence - we were quite simply sorting ourselves out. Not that we are fully recovered even now!!! But here is the news - we are now turning our attention to the northern hemisphere, and getting audiences to see 'The Ballad of Des & Mo'.
In the coming days and weeks we'll be announcing various screenings, Q&As, documentary details and loads more, but to whet your appetite now, a trailer for your perusal...
Much love,
James
In the coming days and weeks we'll be announcing various screenings, Q&As, documentary details and loads more, but to whet your appetite now, a trailer for your perusal...
The Ballad of Des & Mo - Trailer from James Fair on Vimeo.
Much love,
James
Thursday, 23 September 2010
Tuesday, 31 August 2010
Monday, 23 August 2010
The Beginning of the End or the End of the Beginning?
Hey 72 peeps
So no video for only the 2nd time in this crazy blog. I'm giving the camera a break!
I leave Melbourne on Friday after 2 months of absolute craziness. Is this the beginning of the end or the end of the beginning? I can't really tell, but the fact is that the 72 Hour Movie project must now be called 'The Ballad of Des & Mo' and recognised as a film in its own right. I'm looking forward to seeing it again once I'm in the Northern Hemisphere, and getting out to all the other people who would love to see it.
So much focus in filmmaking is upon getting the film MADE and not the film SEEN. This now becomes the centre of our attention. Please bear with us as we go through all the small steps that will make the film ready for the release it deserves!
In the mean time, I must get back to the teaching. If you want to see me here in Melbourne, come along to the Open Channel FRAMED event on Thursday and we'll try and sneak a cheeky beer somewhere afterward.
Much love,
James
So no video for only the 2nd time in this crazy blog. I'm giving the camera a break!
I leave Melbourne on Friday after 2 months of absolute craziness. Is this the beginning of the end or the end of the beginning? I can't really tell, but the fact is that the 72 Hour Movie project must now be called 'The Ballad of Des & Mo' and recognised as a film in its own right. I'm looking forward to seeing it again once I'm in the Northern Hemisphere, and getting out to all the other people who would love to see it.
So much focus in filmmaking is upon getting the film MADE and not the film SEEN. This now becomes the centre of our attention. Please bear with us as we go through all the small steps that will make the film ready for the release it deserves!
In the mean time, I must get back to the teaching. If you want to see me here in Melbourne, come along to the Open Channel FRAMED event on Thursday and we'll try and sneak a cheeky beer somewhere afterward.
Much love,
James
Tuesday, 27 July 2010
Tuesday, 20 July 2010
Thursday, 15 July 2010
Wednesday, 14 July 2010
Sunday, 11 July 2010
Wednesday, 7 July 2010
Tuesday, 6 July 2010
Friday, 2 July 2010
TAKING CHANCES
Taking Chances from James Fair on Vimeo.
Go to the things mentioned in this vlog! JOHN BOORMAN - CHANNEL 4Wednesday, 30 June 2010
Friday, 25 June 2010
Monday, 21 June 2010
Thursday, 17 June 2010
Tuesday, 15 June 2010
Friday, 11 June 2010
Tuesday, 8 June 2010
Friday, 4 June 2010
Casting closed. Shop open. Sun is out.
Casting closed. Shop open. Sun is out. from James Fair on Vimeo.
Go to the things mentioned in this vlog! FACEBOOK PAGE - THE 72 SHOP
Wednesday, 2 June 2010
Wednesday, 26 May 2010
Monday, 24 May 2010
Wednesday, 19 May 2010
Friday, 14 May 2010
Tuesday, 11 May 2010
Friday, 7 May 2010
Tuesday, 4 May 2010
Tuesday, 27 April 2010
Thursday, 22 April 2010
Adventures in Social Media
Adventures in Social Media from James Fair on Vimeo.
A superbigmassive thanks to Turlough Rynne, Usna Tunney, Clara Walshe & Amanda Grady for all their help on making 72 come into the 21st century!Sunday, 18 April 2010
The End Of The World
The End Of The World from James Fair on Vimeo.
Go to the things mentioned in this vlog! THE BENJA MEN - ELEANOR GARRAN - FRUTALOKAWednesday, 17 March 2010
Friday, 12 March 2010
Everything I've learnt so far
Everything I've learnt so far... from James Fair on Vimeo.
Go to the things mentioned in this vlog! STAFFORDSHIRE UNIVERSITY - SEQUENCE POST PRODUCTIONSunday, 28 February 2010
Saturday, 20 February 2010
Berlinale
Berlinale from James Fair on Vimeo.
Go to the things mentioned in this vlog! MULTILAYERLADEN - BERLINALE FILM FESTIVAL - BEN ARNTZ - MELBOURNE INTERNATIONAL FILM FESTIVALSaturday, 13 February 2010
Saturday, 30 January 2010
The one with no video...
Apologies for asking you read this as opposed to watching it. I was burgled on Thursday and one lucky thief got away with the computer I was using to record video diaries for 72. I haven't yet ruled out whether this was the reason it was stolen in the first place, as some of them were pretty bad. Either way, we'll end January with a text-based update as opposed to a video one.
Both Gary Hoctor and I are quite pleased to see the back of January in all honesty. The little dispute over websites and the recent theft are just two of the low points, but the whole month in general could be written off as a month of great potential yet little progress. There are still so many 'irons in the fire', but few have come good for us yet. It is not something that is setting off alarm bells for us, but it is frustrating.
However, being the eternal optimist, I can see February being an entirely different situation. The FUNraiser in Berlin will be awesome. There is also a meeting with a potential sponsor at the end of the month and there is some really exciting news on the script front that I hope I can publicise later. One 72 volunteer, Andrew Brown, will be landing in Melbourne in the next few weeks also, and I hope to get the other Melbourne based volunteers set up and busy too. So February will be a month of real progress. On the downside, I turn 29, which is perhaps the most depressing element, but we'll gloss over that.
I want to take this opportunity to thank you for your support, and hope to post a video up here again soon!
J
Both Gary Hoctor and I are quite pleased to see the back of January in all honesty. The little dispute over websites and the recent theft are just two of the low points, but the whole month in general could be written off as a month of great potential yet little progress. There are still so many 'irons in the fire', but few have come good for us yet. It is not something that is setting off alarm bells for us, but it is frustrating.
However, being the eternal optimist, I can see February being an entirely different situation. The FUNraiser in Berlin will be awesome. There is also a meeting with a potential sponsor at the end of the month and there is some really exciting news on the script front that I hope I can publicise later. One 72 volunteer, Andrew Brown, will be landing in Melbourne in the next few weeks also, and I hope to get the other Melbourne based volunteers set up and busy too. So February will be a month of real progress. On the downside, I turn 29, which is perhaps the most depressing element, but we'll gloss over that.
I want to take this opportunity to thank you for your support, and hope to post a video up here again soon!
J
Saturday, 23 January 2010
Friday, 15 January 2010
Sunday, 10 January 2010
A call to party... from James Fair on Vimeo.
Go to the things mentioned in this vlog! FACEBOOK GROUP - BERLINALE - MULTILAYERLADEN - THE BENJA MEN
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